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Open a larger version of the following image in a popup: Pair of Royal Canton Enamel Wall Sconces
Open a larger version of the following image in a popup: Pair of Royal Canton Enamel Wall Sconces
Open a larger version of the following image in a popup: Pair of Royal Canton Enamel Wall Sconces
Open a larger version of the following image in a popup: Pair of Royal Canton Enamel Wall Sconces
Open a larger version of the following image in a popup: Pair of Royal Canton Enamel Wall Sconces
Open a larger version of the following image in a popup: Pair of Royal Canton Enamel Wall Sconces

Pair of Royal Canton Enamel Wall Sconces

The enamel plaques: CHINESE, mid 18th century
The ormolu candle branches: probably DANISH, fitted on arrival
23 1/4 x 12 5/8 in
59 x 32 cm
5751

Further images

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Provenance

Imported for Sophie Magdalene of Brandenburg-Kulmbach, the Queen-Consort of Denmark and Norway in 1738. King Frederik VIgifted to his official mistress, Bente Frederikke Rafsted (1790-1862). Inherited by their eldest son Count Frederik Wilhelm Dannemand (born 1813, died 1888) the then owner of Aastrup Kloster. On whose death, sold at an auction at Aastrup in 1889. Acquired in the 1950s by Arne Schlesch, New York.

Literature

Tove Clemmesen & Mogens B. Mackeprang, Kina og Danmark 1600-1950, Nationalmuseet 1980.
The shaped enamel plaques with famille rose decoration with birds, flowers, masks and animals, each with two candle arms, probably fitted in Denmark on arrival. With some restoration to the...
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The shaped enamel plaques with famille rose decoration with birds, flowers, masks and animals, each with two candle arms, probably fitted in Denmark on arrival. With some restoration to the enamel, conservation report available.


In 1738, a set of twelve Canton famille rose enamel bracket lights was imported for Sophie Magdalene of Brandenburg-Kulmbach, Queen-Consort of Denmark and Norway and wife of Christian VI, for her apartment at the royal residence of Christianborg Palace. Despite bringing the strict influence of Pietism to her court, Queen Sophie Magdalene was also interested in pomp and luxury; her extravagant taste reflected in her commissioning of a new crown and establishing the collection of crown jewels. The sumptuous, exotic, delicate and colourful beauty of the wall sconces reflected her enthusiasm for acquiring items commensurate with her status.


Of the original set of twelve, eight were reputedly destroyed in a fire at Christianborg Palace in 1794, leaving only this pair and the pair now in the Collection of the Danish National Museum in Copenhagen.


We are grateful to Baron Henrik Wedell-Wedellsborg, Chairman of The Count Dannemand Foundation (Det grevelige Dannemandske Stift), and owner of Aastrup Kloster where the pair of Royal Canton Enamel Wall Sconces was hanging until they were sold in 1889, for his assistance with the cataloguing.



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